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Author Topic: Promises, Obligations and Consequences  (Read 152702 times)

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teddi

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Promises, Obligations and Consequences
« Reply #126 on: August 05, 2008, 06:07:17 PM »
"... I believe you are incorrect about Christopher.  Melinda, I appreciate that you have a crush on my son, even if it initially was one of mistaken identity.  But Melinda, you are mistaken, there is no way you could have seen Christopher with me in your mother's store, not once and certainly not twice.  You probably caught a glimpse of him elsewhere in the mall."



Her reply is concise.  "No sir.  I saw him with you two times."



Father's retort is equally short and to the point, "I'm sorry, you've made a mistake.  Of the four times I was in your mother's store, I went alone.  While there were other sales personnel present, it was only your mother, Brisa, who waited on me.  Go ahead and ask her now if anyone else was with me.  Besides, unless you hid yourself, I never saw you either."



Without hesitation, she replies, "Mr. Markison, I WAS in the store, but I was looking, through the one way mirror to the showcase where you and him were standing at:  that's why you didn't see me.  On your very first visit, you had some papers in your hand, and were showing my Mother, the diagram of what you wanted made.  Christine ... I mean Chris ... was talking to you and you were nodding your head "Yes" after every time she finished talking to you.



"And both times you guys walked out of the store together, she ... damn ... I mean he ... would ... well ... just take your hand and rest her ... his ... oh whoever it was' ... head against the right side of your arm and walkout with you.  Uhh ... well it was ... just ... well ... kinda like what a girl would do with her dad, you know.  But that's when I first thought I noticed the birthmark.  It did seem kinda odd that whenever I saw her after those two times ... well ... it wasn't there anymore.  She ... didn't have it again ... I mean ... he did ... Chris that is.



"Besides, the cute little pure white dress with the gold braided waist sash she wore the first time, looked ever so special; I couldn't take my eyes off it either.  Ever since then, I've looked in all the designer catalogs and browsed the web sites as well.  I still haven't seen anything quite like it.  It was mesmerizing, it almost looked as if it all glowed, somewhat soft all over like, but, but, not only white but somehow golden as well.  She even had a pair of flat white sandals with gold straps to match which were equally as charming.  The second time she came in with you, everything was just the opposite:  gold dress, white sash, gold sandals.  Again, even if it was the same style it was attention grabbing just the same, especially in the show room, the spot lights made the dress almost seem to glisten.



"Of course, I looked her over, from head to toe.  I couldn't help myself, and ... and ... I still can't ... help but look or stare at her ... I mean him.  Both times when she walked into the store with you; even her hair had a natural bounce to it; it still does.  Girls notice things like naturally wavy hair; especially, if it turns into those soft ringlet curls which barely touch the shoulders.  Every girl Iknow would positively go over the edge for hair like that.



"When school started up last fall, I tried to cozy up to her.  Sure, I had an ulterior motive ... and ... and ... well maybe I wasn't to subtle about it either.  But I tried to break the ice, if only to get close to her, so I asked Christine whom her hair stylist was, what beauty parlor she went to, you know, I wanted the one who did her hair.  She just smiled at me and said it was like that naturally.  I have to admit, I was jealous and ... and ... hurt.



"Because, honestly, every time I tried to get closer to her ... well ... she was disinterested.  Me ... I ... I ... I've been  ... preoccupied ... I can't get her ... I mean him ... out of my mind.



"But there is more about what when on in the store.  What was actually strange now that I think about it, is, that for some reason both times after you all had left, I went to the exact spot you both were standing in.  I could still smell the perfume she was wearing.  Sort of like oranges only a lot sweeter.  That's the truth!  I never really thought anything else about that ... well ... up to now that is.  Why is that?



"Besides, I thought it was really kinda cool that you were going to have three specially made bracelets made for your wife; and that Christine was helping you.  Especially, since they were similar to the one that Aeron Deryn had shown my Mom that she'd found, about eleven years ago.



"Anyhow, Mother had called Aeron several times, and they talked quite a bit about how closely the newly designed bracelet matched the one she'd found.  I really didn't think anything else about any of this, the bracelets, I mean, until just minutes ago either.



"All I could really think about was Christine ... I'm sorry ... no ... I'm not ... why should I feel sorry and apologize about the way I felt.  Like I said ... I couldn't help feel that I wanted ... whoever it was I saw ... if that turns out to be Christopher ... so much the better!  You don't know how impressive those dreamy, wide eyed, green eyes of his are.  Sure I know he's got make-up on right now, so what!  He really doesn't need much anyway.  Though I have to admit,"  she looks directly at Christina, "...the mascara you applied does make his eyelashes look a lot longer:  more heavenly.



"But ... honestly ... I know I saw him in the store.  I saw him twice.  I ... I ... fell in love with what I saw!  And the more I see of him the more I want him!  Every ... little bit of him.



"The last time I saw him was just before you came into talk to Mom again, in her store, not in the mall, for the last time.  In fact, Aeron came in about two hours after you guy's left and gave Mother her cell phone number; and asked her to call whenever the piece had been finished and was going to be accepted by the customer who ordered it.  She said she had a personal interest in the customer.  I know that's true too 'cause I was there with my Mom!  I heard what she said and I heard my Mom talk to her.  I didn't miss a word!  Then eene ekene e sosti metera?   Isn't that right mother?



Before Dad can wedge a word in, Brisa, with a smile, takes her que.  "E kori mou mila teen aleithea." My daughter speaks the truth.  "Iketevo ti szungxorize."  I beg your pardon.  Sometimes it is ... struggle ... for me, not to break my thoughts into "alles glosses" ... other languages.  Well, she is correct, but only as far as Aeron is concerned."  Softly she continues, "Melinda, O Kirios Markison einai sosto.  Mr. Markison is correct.  No one else accompanied him when he and I spoke of the initial design, the cost or of their approximate collective completion date.  I did not see either Christina or, this child," as she nods towards me, "her brother, enter or leave with Mr. Markison, on any occasion.  "



Ms. Agapp switches her attention from Melinda to Mother, Father and my new sister Aeron D. as well as casting quick glances towards Christine and me.  "The last time he was in the store is when he also changed the quantity ordered from three to four.  Today's date ... enai aufti pou apaitise ... is the one he firmly demanded.  



"For some reason, he was quite adamant, that unless I could guarantee delivery ... seemera ... by today ... aufto to proee ... this morning, actually, that something would not be quite right.  My last calls to Aeron, were to inform her of the customer's acceptance.  Alla then ti kalesa ... But I did not call and tell her to come here.  Oxi ...  No.   I didn't  know the home address of Mr. Markison.  He purchased the pieces using his business address and business phone.  It was a cash transaction.  However, he did provide me his cell phone number."  Father nods as if to confirm.



"I was surprised by Aeron Deryn's appearance, almost immediately after he departed.  I was adamant that I would not compromise my client's privacy by giving his phone number ... tu se pleri sxeno ... to a complete stranger."    



Aerons expression is all to obvious.  Complete stranger?  Maybe to her, Brisa, she was a "xenos" but to all else concerned, she was family.



"Melinda, you are correct, you were present for our discussion.  You know that her pleas for his phone number were based upon not only her explanaton of how intricate a path she followed to track down your fathers work; but also, of her convincing explanaton of how much more than coincidence that either; the found bracelet was to her, to Mrs. Markison and for some reason to our family.  You and I.  



"Of course, the fact that she knew my first name made an impression on me.  Is it usual that people would know it, let alone know its ancient historical significance?  Oxi.  Is it usual for such  distinctively seperate pieces to be similarly designed.  Oxi.   Se para kalo.  Lupame.  I'm sorry.  Again the answer is no.  However, there is more than mere similarity between the two.  The duplicated design was a conscious effort.



"So, after hearing her story of how she came to find it, e lexeis meson, the mediums words, and after pleading with me ... I relented, for some reason I felt the need to, I gave Aeron his cell number.  



"So here, I find myself witnessing, what, a play involving a family whose roots are as deep as our own.  To what end?  Looking at a little boy with fears so deep that if I were to know of them would I fear as well?  By his own words through the ages, he has been an eternal child, who speaks only the truth and with the Maker Himself?  Oxi.  Einai perisoteno apo auftos ... No.  It is more than that.  He has played Tabli me Aufto? ... Backgammon with the One?  Ke exhi kertheese?  And he has won?



"Not to be sarcastic, alla aufto apatei oti ene defterolepto koitazi ... but this requires a second look.  I feel that there is more to his explanaton to his mother; especially so, because I understand, that only a portion of his sister's enlightenment to us all has been addressed.



"And this ... aufto to mikro agori ... this little boy, Christopher ... pos einai dunato? ...how is it possible?  When I first saw him, I was certain, a little girl cried.  I thought her most adorable, even though so thoroughly upset.  Obviously, ekana lathos ... I was wrong.



"Auftos o mikros ines ... this little one ... pos vrorese na xeri oti imon?  How, can he know so much?  How could he know that I was so leery ... auftis tis sunedriases?  Of this meeting?  I knew nothing of Mr. Markisons other child ... tu gyio tou ... of his son.  I was under the mistaken impression that there were two girls in the family:  twins.  Tora, briskomae alethena gyoitevmenou apo aufton ton ligo ene.  Now, I find myself truly charmed by this little one.  



"As for being here, now, it was through Christina's directions, which I followed to this address.  I was determined that you would not be set upon by that  ... skatacephalon ... shithead ... who threatened you.  If he or any of his friends were here, O diabolos o idthios tha exei fobismeno egho, tha exei upartsx pou pleronei.  Tone orkizomai! ... the devil himself would have feared me, there would have been hell to pay.  I swear it!  



"Melinda, do not loose this little one.  You would do well to keep him close to your heart as I feel him to be close to yours.  If the words he spoke were truly his secreted desire, if such were true, I would not deny him:  that is, if it were permitted.



"To gliko mou, my sweet, when you first told me of your infatuation with a girl, I was concerned.  That you chose to rid yourself of the cretinous male who offended you was to your credit.  My intial misgiving, over your infatuation with whom you thought to be a girl, is no longer a concern to me.  He has an inner strength and intelligence.  His appearance is as sweet as any boy I have seen.  However, for some reason, he may be as sly a mischief-maker as I have ever known.  I would know more of him.



"Look at the walls of his room.  If you were obsessed with his mistaken image, he was not mistaken of yours.  Truthfully.  The freckles, which you have always tried to hide, despite my pleas not to do so, are as he has decribed them to be.



"Kanena apo aufto then eine sumtosei.  None of this is coincidence.


teddi

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Promises, Obligations and Consequences
« Reply #127 on: August 05, 2008, 11:50:30 PM »
"He can speak, Greek and German.  I think he speaks it even better than Mrs. Holtz does; and she's your schools German and French teacher.  Aeron said the one he was before, Elias, could speak French too.



"Interesting.  Pouvez-vous?  Can you?"



From Christine's split screen image to me of Father mouthing the same word as Melisa,  it is clear; both are simultaneous.  As Brisa and I speak to each other, Melinda looks from her Mother to my Father's bemused look then back to me.  It is then that her face once more changes.  I can read the one word which crosses their lips in both languages.  "Eises! ... You!"  



The question now is which one should I address first.  Melinda, is my choice, though at the same time I feel I can also explain to my Father; well at least I hope I can.  Before I can do so, I try to wiggle off of Mrs. Agapps probing inquires with as much grace as possible.  



"Oui.  Mais porquioi?  Yes.  But why?



Je pense qu'il a plusieurs autre que je peux parler et refleter dedans aussi bien, parfois, tous en meme temps.  I think there are several others I can speak and reflect in as well, sometimes, all at the same time.



"Mais, je dios admettre, parfois il obtient, confondant, mas vers le haut jusqu'ici, je n'ai pas vraiment essaye de parler reellment dehors fort.  But, I have to admit, sometimes it gets, confusing, but up until now, I haven't really tried to actually talk out loud.  Quelle difference est-ce que cela te fait?  Respectfully, what difference does that make to you?  



"But excuse me, I need to explain to Melinda and ... well ... my Father as well about ... well please just listen.  While I know you kind of like me I hope I will not offend you by what I am going to say.



"Melinda, honestly, the ... the ... one who is standing in front of you now ... me ... Christopher ... well that was me but before I was born.  I know this sounds strange.  But, I told everyone before that I had scripted what I had to make everything come out right.  How could I ignore my Father?  Think about what I just said.  I can do more, a lot more.



"I know its confusing to you but you actually saw me dressed in what all would be souls are dressed in.  The first time you saw me, honestly, it was nothing fancy, just a plain white tunic with gold sash.  Of course the clothe is ever so special and has many unique characteristics which are not clearly observable.  The gold sash and even the sandals are what you might call standard issues.  The second time, well truly, that was fancier.  I kinda  loved the way it glittered, that's why I wore it.  



"Besides, you have no idea of how soft those tunics are.  They feel a lot softer than satin ever could be.  Of course, you don't buy them in any store or on line.  And as for the orange smelling perfume, that's called ambrosia.  I found that out for myself, the hard way, a couple of years ago, but just started to remember a lot more a couple of minutes ago.



"As for the bracelets, well, they were for some really special girls.  One was for my Mother.  One was for Christina and the other was for Krystal, I mean, Aeron, my new baby sister.  Well she isn't new just yet that is.  But she will be!  But honestly, I didn't have anything to do with the fourth bracelet.  Right now, I don't know what the fourth one is all about.



"You heard me tell everyone what I was always called up there.  Even you couldn't tell the difference when you saw me coming and going.  But honestly, I never knew you were in the store or that you even really existed until yesterday!  Or start to know even more about you just a couple of minutes ago when I connected your middle name with Astyanax.  And, I wasn't yanking your chain either!  Your middle name and face is the same one I remembered when I got thrown off of that damned cliff!



"And if you haven't figured it out already, 'cause you came in late for the first act of this ... this ... crap! ... I have a middle name too.  Bet you can't guess what it is?  Can ya?!  No wait.   I'll even tell you my initials C.H.M.  First and last names don't count!  No studying Melinda.  What the hell does "H" stand for?  No don't guess!  That's another f'kn rhetorical question!  "H" ... Melinda ... stands for Hector!



"Your mother's whatever killed my father a long time ago!  Your no dumb ass!  You hafta know what his name was.  Even I know it.  No.  No studying here either.  Lived through it.  Well almost all of it anyway.  What I don't get is how the hell you, or Cassandra, wound up being her, Brisa's,  daughter!



"So right now, if its all the same, to everyone, not that some of you would've noticed or given a rat's ass about, but my stomach is still hurting and  ... and ... oh the hell with it!  All of you think I'm so friggen smart and sly!  Bullcrap!  I'm smart enough to know that I just have'ta get through all of this this time.  If I don't I'm history.  What a joke!  That's what I've always been or wound up as being:  history!  You know.  Like ... in ... dead like me!



"I know you all have a lot of questions but I can't stand to answer anymore ... not now ... I can explain later if you'll all let me.  Besides, all I really want to do is to get those three pens together.  That'll get my mother off the hook.  And of course, I still have to face my Father:  naturally. You know that won't require anything formal to wear.  Just my birthday suit!



"And I don't want to be formal anymore!  I want to be me.  Just me!  I'm tired of being looked at like, like, I'm the most beautiful boy in the world.  The other name for it is SISSY!  Melinda, you think I haven't caught on to the words you used to describe me?!  I'm not that stupid!  Sure I'm starting to cry now, but crying, well for me that's nothing new.  I've had years of experience!



"You know Melinda, it was clever the way you used the words you strung together to describe me.  Sure they were separated by other words, but you used them all in a special order.  To get their first letters to spell the same word I'm always afraid to hear and that ... that ... you used on me ... even if you didn't know you were doing it!  You did it to me twice!  



"You remember the words:  "Special," "Intelligent," "Sensitive,"

"Satisfying," and "Yen."  What've ya got?  No.  Don't answer, just another damned rhetorical question.  "Sweet," "Insightful," "Sugar & Spice," and how can I forget "Yummy?!"



"How can I forget those kind words, that "you will find your prince, princess.  Little did I know that he would be right on both counts."  No, I'm not brain dead, not yet anyway.  I know what that's supposed to mean too.



"I honestly apologized to you about using your name as I did.  Instead of just getting mad and yelling at me you tried to sneak some words together to make ... make ... me feel like so much crap ... an ... an ... anagram!



"Go ahead.  You don't have to think it.   Now you can say it out loud.  Even when you were describing me you were still calling me that name.  SISSY!!  Damn I HATE YOU!  Its almost as if you were calling me out about something.  The way you talked about me, it was more than you wanting me to feel good about me. You were knifing me just as sure as I was carved up by that bastard who did  Elias in. He took my tongue. You talked as if you wanted my heart.  But, I could tell.  You wanted my soul.  You,  "A lover or a friend,"  sorry, no sale on either count!  So don't give it a second thought ... it's all right!


teddi

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Promises, Obligations and Consequences
« Reply #128 on: August 11, 2008, 04:46:56 PM »
"You know, what makes me feel even worse is that I was almost ready to trust you.  Just like, you asked.  And maybe more so because of what Astyanax suggested I write.  So if your gonna be broken hearted.  Go right ahead, maybe that's what you really need to be, nobody right now can or is gonna stop you.  Especially, me!



"Some "dream girl" you turned out to be:  especially to me.  So what's a couple of tears more?  I'd a been better off just getting by without anyone like you always looking at me.  As for all the butterflies that I glass cased, don't worry about them either, "Petalutha mou," .. "My butterfly;" they'll all be in the garbage before I go to sleep tonight!



"What's more, if I ever see your face in my dreams again I'll understand what you really are, nothing more than a sneaky fake.



"Oh, and if you need to put more make-up on to cover over those freckles, make sure it's blood red.  That's what Szach-eh-waneh had on his face when he wasted me!  He didn't tease me with his looks.  He told me what he wanted and he made damn sure I had a taste of it and that it was on mine too, before ... before ... oh ... screw you!



"I take back my apology about making fun of your name.  You were cold, calculating and almost black hearted.  Apologizing to you, that was my mistake Melinda.  Believe me, I won't make that mistake again!  Your face might have fooled me but how could I have been fooled by your name?



"In fact it wasn't only your face that set me off yesterday it WAS your name.  As soon as my sister thought it, I went ape!  I even accused ... her ... of backstabbing me!  All the time it was gonna be you!



"Your name Melinda ... your name ... your ... name?



"You know, every time your mother wanted to talk directly to you, or, to make a point, she started with your name.



"Your mother used the words, "To gliko mou" ... "My sweet" ... those are the words she used just a couple of seconds ago ... but it was the way she used them ... it's supposed to mean "my sweet."  But ... it's the way she used it.  Except, except, Melinda doesn't really mean sweet.  It means the dark or the black one!  What an appropriate description!



"Sure, there is a second meaning but it really doesn't apply.  Not the way she used it and certainly not the way she spoke it, lovingly.



"Which means that she used your name either incorrectly, or ... or ...?  I know your mother is too smart to use your name wrong.  Which leaves only one other explanation.  She began the sentence describing the name, which in its meaning, to her, you should have been named ... Melina ... soft and gentle, soothing, sweet, like honey.  That's the way she used it to start the sentence.  You were misnamed?  You WERE misnamed!  But why?  Melina ... that's what you were supposed to be named.  Not Melinda!  So?  Am I right?  Do you have anything else to add to that bit of information?  Should I keep on going?!  On the other hand, are my rhetorical questions now just so much more sensitive, insightful, sweetly sensitive and yummy, ooie-gooie, sissy twisted word crap for you to handle?



"You didn't have the balls to stand and tell me to my face that I looked like a sissy!  Even that's a joke.  Of course, you don't have any and I'm shy of one myself.  But, you skipped all around the word.  Sure, I have long hair and it looks like my sisters.  But, you know, I could just turn that around.  Her hair looks just like mine.  So does her face.  Even down to the ears, eyelashes and eyebrows, well, maybe even the lips too.  So what does that make her?  If that was all you were falling all over her and going gah-gah about then you're pretty shallow, and I feel sorry for your mother.  She has class.  I guess she couldn't pass that on to you, could she!  You had to try to be so clever.  Who's the clever one now my superficial poppet?



"Or is the "Sissy" you sneakily mocked just leading you on?  You dreamed of a prince, princess.  Well, you're half right.  At one time, I was a prince.  And, as for being a princess ... that's in your dreams!  Not mine!



"Why are you even still standing in front of me?  Why don't you just turn around, walk down the stairs and run out the door?  Why do you remain?  Haven't I been clear enough about how you made me feel about you and myself?  Your "sweet face" ... guess even that'll start to turn my stomach ... guess I've had one sweet too many. Now that I think about it, it isn't only candy that's gonna make me sick, it's just the thought of having to look at you!  



You said, "Trust me."  Master Su, my martial arts teacher, told me to keep my enemies close, but my friends closer.  I swear, you'll never get close enough to knife me in the back again!  I trust you just about, as far as I can throw you!



For the several moments of silence before I continue, it is clear that Mrs. Agapp is stunned.  As for the false sweetener, she appears to be miserable.  I mull it over to myself; at least, there is symmetry, so am I.  The tears she's crying are convincing, and with reason, I truly did make a girl cry.  But, why do I feel she almost went of of her way, to make it so obvious, as if she was begging for it to happen?  I turn my attention to Mrs. Agapp.



"Mrs. Agapp, I truly apologize to you.  I said before, I did not want to offend you.  But, I know otherwise, I'm sorry.  You said you wanted to know more about me.  Well, that's what I've been trying to find out about myself as well.  It's just that, your daughter Melinda, well, I've never been this angry before ... well ... maybe yesterday with my sister I came close.



"Well ... actually ... maybe it ... it ... was because ... because, it was the first time I ever got ... excited over ... thinking about .. about ... I mean when she  ... she touched ... it was the first time ever.  I'm sorry, forget I even said anything about that.  But really, it almost seemed like your daughter was just teasing me and purposely leading me on, you know, playing me for a fool, but at the same time somehow wanting me to explode at her.  I mean ... if ... if ... she wanted me to more than ... than ... well like her and stuff like that .... why did she ... do what she did?



"I know you only want what's best for your Melinda.  But I'm not all that certain it would include me.  If its all the same to you, I honestly appreciate all of the hard work your husband did on the bracelet he made for my Mother.  And, I don't know if my Dad has picked up the other bracelets he ordered, well, through me anyway, I want you to know if their half as great as the original, I, thank you.  They'll be wonderful.



"I really am sorry for my outburst, but ... it wasn't right what she tried to do.  I got angry and ... well ... maybe I did go overboard.  Clearly, I know you would not want me to be around her at all, I mean, as far as her being the guide of the school tour I was supposed to take with her.  Besides, I don't think I want to be around her all that much either.  So ... if you want ... maybe with my sisters help ... I'll try and find someone else to walk with ... even if it is a girl.  



"And as for your statement about a further explanation from me ... I mean ... about my sisters enlightenment needing further study.  You are elegant and smart.  There is more.  But please, I don't think I can take much more of this right now.  I know you don't know half the stuff that I even dreamed about.  But I'm telling you the truth.  Every dream I've ever had just killed me.  You can ask my sister or my parents.  They'll tell you the truth.  All I want to do right now is to finish what I have to do.



"But I would ask you one favor.  If you ever find out why she tried to embarrass me and cut me, with her words, please, tell me.  I promise I will never try to find out anything else about you or her."



Mrs. Agapp shakes her head, side to side and sternly replies, "No little one, you may not ask one single favor of me.  Melinda, my sweet, for the moment, come and stand by me, before we leave, I will speak my mind.  Moreover, trust me; I will only speak the truth.  While you, Christopher H. Markison, will stand and listen as well.  However, more, you may wish to become less formal, for me, on the other hand, it is necessary that I do so.  I believe you claimed you had no knowledge of my daughter or even of her name and, that, you did not script, this portion of what you or my daughter is experiencing.  I believe you.



"Under other circ-umstances, I would have taken you over my knee and blistered your impertinent behind,  Trust me; you would not have sat for days without remembering my hand.  In addition, you would have known better than to look to your Mother or Father to intercede.  I am certain that they have taught you better.  I will take this to the conclusion of what I feel is my participation in this, this, play.



"Move closer, stand in front of my daughter, the one you have reduced to tears and me.  Understand, only through your eyes must you see her, not another's, even if it is easier for you.



The serious nods from my parents and sisters alike, are in unison.  Cautiously, I approach the lioness that protects her cub.  I mentally note that if Mother's finger once softly beckoned me, Mrs. Agapps is now more of an emphatic demand.  Guess they all have the same sign language down pat.  No studying!



The other thing I realize is the disgust I have doing this.  The closer I get, the more difficult it becomes to look at either Mrs. Agapp or  ... Melinda.  Honestly, I cringe at looking at both of them, but especially Melinda.  I think to myself, if my Mother felt half as bad ...



In the few steps from the stage to arch, I consciously begin to fondle the satin hem sewn beneath the cover-up, guessing old habits die-hard.  As much as I want to, at least I'm able to stop my left hand before it gets too far.  I imagine the wry smile that is now crossing Mrs. Agapps' lips, signals that she has noticed as well.. It's kinda obvious.  In any case, just before I stop myself, Mrs. Agapp does it for me.  Her right hand takes hold of my shoulder and pulls me close enough to stand exactly in front of the two of them.  I know better, but somehow, I think crying is contagious.  Mrs. Agapps eyes are starting to leak as well.  The angry outburst I expect from her is anything but.  The mask she wore before melts away as she begins.



"Christopher, I told you before, you may not ask one single favor of me.  You may ask as many as you desire.  Be quiet and listen.  When you have heard what I have to say, then you may continue your odyssey to completion.  I will not ask a rhetorical question, it seems you have had your fill.  Besides, it is evident that you are a master of rhetoric; it would be pointless as well as insulting.



"Kurioi: kai Astyanax, Elias, Joachem ke Christophorus; nobles oloi.  Christophor, opogonos, tou dunatou Hector, uperaspites efphroston tou Troiu; I O' agapemenos apogonos tou Achaens meghistu polemiste Achilleas, einei teememenous ghia na einai sti sundthiasmena parousia kai to toksxo sas se sas.  Zeto sungnome gyia tis energeeis tis koris mou Melinda Cassandra.  Esaste sostoi na thumothete steen anarmoste prospatheia tees na sas eksxapatesie.  Masters:  Astyanax, Elias, Joachem and Christopher; nobles all.  Christopher, descendant, of the mighty Hector, stalwart defender of Troy: I, the beloved descendant of the Achaeans greatest warrior Achilles, am honored to be in your combined presence and bow to you.  I apologize for the actions of my daughter Melinda Cassandra.  You were right to be angered at her inept attempt to deceive you.  



"Clearly, you are clever, insightful, and as cunning and sagacious a child I have ever known.  Moreover, articulate, if the mood so strikes you.



"Additionally, my little noble, and here, take no inference of disrespect; you are clearly as sensitive a child as I have met.  I do not use the word to belittle you; on the contrary, you are perceptive and completely aware of what surrounds you on all levels.  My precious little one, Odysseus, the King of Ithaca, wandered for ten years after the fall of Troy and lost all who he took with him, before he returned home.  You, a boy prince, have wandered for over three thousand years and have not lost a soul.  Einei e teme mou gyia na sas sunanteiso.  It is my honor to meet you.



"Somehow, you have pierced what only my husband and I have known.  My daughter's name Melinda was an error, not of our omission, but rather of another's purposeful addition.  The "d" in her name, being added purposely:  not by myself and certainly not by her Father.  To both of us, until just now, it was inexplicable.  Her Father desired the name of the child to be Melina.  A nurse at the maternity ward, for some reason, wrote the name incorrectly upon her birth certificate.  Supposedly, neither of us was aware of the error.  Yet, honestly at the time, somehow, allegedly both of us misread the name.  At first, my husband told me it was through his strongly accented and repeatedly poor pronunciation of the child's name, in English, which caused the error.  Several years later, I found out that was not the truth.  Ena lefto bvrisketei.  A white lie.  Somehow, only I misread the name.



"Prior to when she was to be enrolled in school, I again noted the error on the certificate.  Yet, before enrollment, for this past school year, her Father almost passed away.  Fearing he would do so he told me what he said was the total truth about her name.



"He relayed, what he stated was a decidedly one-way and silently private conversation with the nurse who wrote the name upon her certificate.  At that time, her explanation to him was anything but simple:  either to understand or accept.



"Please, what I will tell you I have told no one else.  Not even my daughter.  Even now, I fear your parents will think me mad.  Forgive me for now I understand how little I knew then or truthfully even now.  My apologies, I find it difficult ... to relay ... without ... without continuously resorting to tears.  



"I must preface my remarks.  My husband is not an overtly religious man.



"He was quite upset over the mistaken name written upon the birth certificate.  He set about the maternity ward to find the nurse who by appearance tended our newborn.  All whom he spoke with discounted his description of the nurse.  Repeatedly, being told  that no one by that description or name worked in the maternity ward.  He was beside himself and grew increasingly angry.



"Without knowing what to do, he resolved to return to the hospital room, and remove us from what he was calling the hospital ... ena trello spiti! ... a mad house!  To his utter astonishment when he opened the door to our room, the object of his hunt, stood beside my bed.



"Melinda kei imoun kai o duo koimismenous, kathos eiseigage.  Melinda and I were both asleep, as he entered.  Etan exorgismenous!  He was enraged!  He moved to confront the nurse as she stood over our daughter with her right hand resting upon our child's head.



"Yet, before he could speak, he claims the nurse looked at him ... and what he saw ... frightened him, no, actually terrified him.  He claims her eyes seemed to burn right through him ... flashing in a manner which absolutely petrified him.  He also claimed that while he did not see her lips move ... She, none-the-less spoke these very words to  him.  As I relay them to you, please, look at my sweet."



I do as asked.



She continues, "Still your anger, the child's name must remain as written; until, a little one, who himself is as well guarded as your daughter, pierces the haze of ambiguity which has surrounded her for ages.  Then all shall be clear.  The first cut of her words to the child must be the unkindest and deepest.  Unknowingly, she must entreat his acid replies to her provocations.  Only then, will the curse years ago cast, be undone.  When spurned and broken hearted will she then come forth and find herself again in love with the truth.  The blood shed between two great houses must no longer divide them.  The accord is made; she is the bridge, between the two.  All of this I have long ago foreseen"



"Christopher, please look at me once more."  Again I comply.  Resistance is as  futile as is trying to stop the goose bumps now raising on my arms and legs.



"Before my husband could compose himself and respond, his head turned to the sound of the door handle to the room lifting as another person was about to gain entry.  His eyes moved to watch another nurse enter the room, walking from the doorway to stand by our bedside.



"My husband swears his eyes did not deceive him.  As his eyes followed the nurse to our bedside, there to his amazement, the nurse who had just entered stood alone.  The nurse with the flashing eyes was no longer at our bedside nor to be seen anywhere in the room.  She had vanished.  My husband claims that for several moments he mutely stood by and watched the nurse note the progress chart at the foot of our bed.  His watering eyes followed her as she left the room.  When he turned his head back to the bed, the one with the flashing eyes again stood before him.  Again, to his astonishment, without her lips moving, she spoke to him.  "Your daughter, once again, shall be in my care as is now the little one whom I guard.  A simple prayer, which you will teach her, is all that is required.  Do not fail to teach her the following, "Lord, grant me an angel of peace, a faithful guide, a guardian of my soul and body, to watch over me, I ask of You."  Aggapemenous, emai ekkeinos o angelos ... Aggapimenous, I am that angel."  With those last words barely spoken, the nurse, according to my husband, without the slightest effort, rose ... and ... literally seemed to melt into the ceiling above.  He claims also, that the aroma of orange blossoms filled the room.



"At his request, to this day, both he and I have never told Melinda any of this.  For some reason, he strongly felt, if that what was to be, it must occur on its own, without our intervention.  Otherwise, it would have been contrived.  When I return home, this afternoon, tha me skepsetei  trello!  He will think me mad!



"Please, Christopher, consider my words.  You asked me  moments ago for a favor:  if I could explain to you why she tried to embarass you, and cut you with her words, would I explain.  Have I not done so?  Does any of what I have said have meaning to you?



"Na esti efxaristos ke epanesxetaste tis lexeis sas.  Me teen pekri glossas sas, teen exhete katastrepsi sxethon.  Be gracious and reconsider your words.  With your bitter tongue, you have all but destroyed her.  If at one time, you lost your tongue, it now seems you have found it.  Was it as spiteful then?  I do not think so.  In the heat of a moment, you honored me though called my daughter classless.  That is unbecoming of your nature.  Please, I solicit you again, do not be so quick to judge, reconsider and temper your remarks:  return my sweet to me.



"Eme oli para polu exsokiomenoi me ta lutra tou somatos Hectors apo ti skenei to progonou mou.  Thedomenou oti Priam Achilles, parakalo se sas.   I am all too familiar with the ransom of Hectors body from the tent of my ancestor.  As Priam supplicated Achilles, I plead to you.  Return my sweet to me.





"I cannot offer a kings ransom, the great riches, as Priam did.  Sas prosfero perisotero.  I offer you more.  Without doubt, you are not absorbed with gold or riches, only the truth.  If you were captive of an unbroken circle, so was she.  While you were aware of what you sought, she could only cry to you for help, infuriating you, as foretold.



"Permit a mother's counsel, indeed, the winner takes it all.  However, how will the loser and others judge you?  Will you leave the loser bereft of all, including dignity?  Please, my sweet, you can see so many things and claim you can do more; look kindly at my daughter.



"Then itan to xeri tis pou othei to maxheri ... It was not her own hand which thrust the knife, which cut you.  Antitheta ... On the contrary, it was that of a lingering and vain lesser god whose curse only your words could break.  Assuredly, as he felled my ancestor by aiding the flight of an arrow to his heel, you have dissolved his last vestige of hate with your bitter tongue and language.



"I will not dance on the head of a pin.  Indeed, you are strong, intelligent, sly, and yes, somehow even to a woman of my age, peculiary sensuous while comprising the best qualities of both:  yin and yang.  Ask your master Su ... the best of both opposite yet complementary forces.  Eki, sas exo kalesei ti eseis phobismenoi.  Oti ti eseis akougyete?  E akousete teen aleithea?  There, I have called you what you feared.  Is that what you heard?  Or, did you hear the truth?



"Opyou phovaste tous perisoterous?  Thas sas afhiso na eiste o thikastes auftos.  E sungroosse enai thikos sas pou epilevfe.  Which do you fear most?  I shall let you be the judge of that.  The conflict is yours to resolve.



"Lastly, consider again my appeal, do not leave her shattered with your words; can you be gracious in your victory?  Merikes phoress, stei nike, enai kalotero na meen lephthia ola.  Sometimes, in victory, it is best not to take it all.  Separakalo, epistrespete to gliko se me.  I plead to you again, return my sweet to me.  You said, "Mother you have always done the right thing."  Is it in your heart to do the same?  Are you less that she?



"Moreover, has my daughter not revealed to you more than what she has told anyone else?  Contemplate her words.



"Here, now, I have humbled myself to you and before others.  Are you pleased?



"I shall even remove my daughter from your sight, if only for a brief moment.  To answer another of your questions, the answer is yes, I do have the pieces with me, which your father ordered.



"Melinda, go downstairs and return with the wrapped packages, which are in the trunk of my car.  When you return, place them at the entrance to Christopher's room then leave us.  I will offer them to the young noble to judge if they are acceptable.  



"Mr. Markison, I apologize.  It would seem, that while you are the purchaser, your son, is the designer and would have the right of refusal if he found them unacceptable.  If they are not to his liking, whatever he finds lacking will be rectified.  Melinda, my sweet, please do as I ask.  You can do nothing more here."



I hold my breathe; and understand what a poignantly and utterly dejected crestfallen girl I am looking at.  



Before she has left, Aeron D. breaks her awkward and halting exit from the arch with her soft words.  "Melina ....

teddi

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Promises, Obligations and Consequences
« Reply #129 on: September 28, 2008, 12:44:10 AM »
"... sweetheart, I am sorry you feel so badly, and, that this has not gone well for you, never-the-less, I must ask a favor of you.  If you please, since you are already going to your Mother's car, would you be kind enough to go to mine as well?  In the trunk, there is one package.  Please, bring it back upstairs with you as well."



Before her next words, Aeron's lips draw inward as her eyes dart from Melina then back to me, then, to return to Melina.  Aeron's widening eyes are preceded by the slightest yet perceptible, wagging movement of both ears.  She continues, "I'm sorry. Here are the keys."



As Melina approaches Aeron, to reach for the keys, her grasp is brought up short, as my elder sister quickly fists the keys, in one hand with four fingers and with thumb raised.  In almost the same instant, with both hands, she pulls a reluctant Melina closer, ostensibly to hold and soothe her.  While doing so, Aeron's lips pull inward as again, her eyes dart from Melina then back to me.  Her free hand rises towards Brisa, and shaking her head, side-to-side, signals her to remain in place and not interfere.



Turning from the apprehensive looks of Brisa, and looking past Melina, she addresses only me.



"Enigok. (Do not be deaf eared.)



"Bizindoshin!  Gidimaagenim gashjendamide'e gwaanisagademo.  (Listen to me!  Be generous and show compassion for she who grieves from the heart, crying bitterly.)



"Gishpin gii nishkede'e maajinaazhikaw naagwaana wanichigewinan - gii zhawenindi. (If you have a cold, angry heart and send her away in haste your actions will be a mistake - as it is evident you love one another.)



"Gishpin gii inaakonige maji-izhiwebiziwin misawaa-gwayakanaagazi giib aanawaadizi.  (If you make such a judgment, ill tempered, even though appearing to be correct you will be in the wrong.)  Gagwaanisagakamig baataa.  (A terrible mistake.)  Gii gashkendamide'e apani gaagige.  (You will grieve from the heart forever.)



"Eyiidawayi'iinh gagwaanisagendaagoziwinan.  Bekide'e misawaach gii ge'aabi ishkase nishkide'e aazhay nishkaabaanda.  (Both sides have been terribly cursed. Be pure of heart even though you remain angry at heart and now look at her with anger.



"Gikeadaagazi ganage gwayakwendaowinan gonimaa maagizhan baataawe gagaanzom igaye.  (Obviously, it is possible, that without right and just thought, one may goad with, or sin in words, too)



"Gishpin gii bekide'e,nibwaakaadendam azhegiiwe amaamaayjini wii aano waashkabangin.  (If you remain pure of heart, think wisely, and return to her mother; her lost sweet.)



"Gizhaadizi nibwaakaa dibaajina inendam ashki binaaji.  Gaye ji gii banaaji wii gaaipe-binaadiziwin?  (Be generous, decide prudently and wisely and measure you words to give her new life.  Or would you condemn her for eternity?)



"Dibaajimo giin maji-waawiinjigaade misawaa wiinawaa boochige. (Measure your ill spoken words, though they were necessary.)  Wiinawaa niboowinci-bichibowin dakwandan maji-inendamawin Irinakhoiw shiishigwe anami'ewigimaa Szach-eh-waneh.  (They are as deadly a poison as the bite of the evil intentioned Irikhoiw copper headed rattlesnake priest Szach-eh-waneh.)



"Young boy or young man to be, one will live longer, than the other will.  That is your riddle to solve.  Only you and you alone can make her stop crying.  The decision is yours.  Be strong enough to help her and intelligent enough, to make the right choice. Be sensitive enough, to understand why she cries; and sweet enough to swallow your pride.  You may choose for they are your choices, all of them.  Have I called you the same name as she did?  If she reduced you to an anagram, you are a master of rhetoric, among other things, rearrange, discard or embellish the words as desired to suit your needs.



"If you decried your repeated fates, with selfeshness, you would leave her hopeless, forever to roam unhappy; her spirit both destroyed and continually condemned.  Your words to her, as they stand now, are an endless death sentence.



"Onjinazhiwe booch.  Nishewe.  (If you must kill, kill for a reason.)  Act honestly and justly.  Gwayakose.  (Temper your words.)  Reconsider what you would do.



""Ginaawaadizi wiiwazonege waaninishkaa.  (Act as the leader for those who you have entreated to follow you on this circuitous route.)  Miziwe giniwaa babaamaadiziwiin gil menaaji'idiwag. (Complete your journey with honor.)



"Bakaan, inejige banaaji'giiwitaa ose gaagigelamig gakina-awiiya booshke.  Nange ni-zaagi.  (Otherwise, you will condemn every one of you, to walking in a circle, forever and ever.  Without a doubt, loveless.  It is your choice.)



"Nandewendan wiindamaagoowewizi azhigwa gii.  (As you have gone back and asked for in a dream, I now inform you.)



"Enigok.  Nantodan okawininan mayaa madwe.  (Listen for her footsteps, clearly audible but out of sight.)



"Enigok.  Nisidotam agindan wii naaba. 'Anidizo dago aadagindan.  (Understand what is said.  Count and recount her steps on the same path.)



"Gi-zaagi'in?  Gi-zizaagi'ina?  New ningododoon dash niiwin. Nishwaaswi bizhishig.  (As I love you?  Do you love me?  Not one word but four.  Eight in total.)



"Awibaa.  Bagosenden wii danizi.  (Be calm.  Ask her to stay.)



"Enigok.  Eta giishpin ji bagakaabandan gii zhawnindi.  (If only you could clearly see that,you love one another.)"



With my nod of understanding to Aeron, she begins to smile and gently kisses Melina's cheek, while softly whispering in her ear; which, by appearance pains her further.  Her wounded exit is apparent.  As she moves past her Mother and begins her slow trudge to make her way down the stairs, I can't help but notice her attempt to steal several quick and short-lived glances back towards me, becoming even more upset and distressed, as she does.  Also evident, is that I must address Mrs. Agapps' pleas.  Before I begin, the distancing clop-thwacking sounds of Melina's footsteps resonate throughout the stairway.



Turning to Brisa I speak.  "I'm sorry.  To answer your last guestion ... no ... I am not pleased.  I take no pleasure or contentment in what I have done, to you, your daughter or to myself.  There is none.  Only emptiness.



"Mrs. Agapp, beloved descendent of Achilles, the Achaens greatest warrior, for the moment, I respectfully and formally respond to you, both as Christopher and as Astyanax; we are the same.  You asked if any of what you said had meaning to me.  My reply is yes.  Unfortunately it does.  Both of us have lost much.  Yet, if I had known half of what you told me before I spoke to her, I would have held my tongue and in so doing lost even more.  This conflicted and unhappy encounter would not have come again for a very, very long time; if ever.



"First, I must take issue with your solitary praise of me, stating that Odysseus had lost all entrusted to him.  On this issue, politely, you are in error.  He did not lose all the souls who followed him. His promise to me, before I was cast from the precipice overlooking the fallen House of Priam, was in earnest.  When I looked into his eyes, I understood, he spoke the truth; and realized that he would have been honored, to have me as his own.  Of all who willingly followed him, with help, I am the lone soul, who survived.  There is more to be said, on this, but for the moment, I must digress.



"Second, I would ask a favor and would hold you to your word.  That before you leave, you speak to my Mother and Father, about your husband, concerning the hospital, and as to what he saw and experienced:  neither, will think you mad; and when you return home, nor will your husband.  What he saw was accurate.  His desire for this to unravel naturally was regretfully correct.  Again, I respectfully ask that you remain and not leave quickly.  Besides, the long lingering questions of, my Mother and Father, with your explanation, may lay many of theirs to rest.  More to the point, I am certain they would enjoy your company as would I.



"Mrs. Agapp, the nurse your husband saw, is likely the same as the one encountered by my parent, and the same who has watched over your daughter, my sister, my parents and me.  If you misread her name but once, her name has escaped them repeatedly.  There is more to her name than you realize.  Shortly that too will become evident.



"Moreover, if it has gone unnoticed by you, and the others, I must draw your attention to the mediums' final statement, within the relayed paradigm, referencing the golden "Tri-Delt" letters, which hung above the door to my Mothers sorority house.  "For in the letters another secret may apply."  The statement itself was a double entendre.  My Mother accurately noted the alledged coincidence, that Delta, is the fourth letter of three alphabets.  "Tri-Delt," though, the three are seperate letters, each references three distint yet interlocked events.



"One, would be the recollection of the bet my Angel relayed to me, that those chosen would be allowed to come with me:  a total of four.



"The second, also noted was the summation of the last integer of my steps, my rise and fall, as I stepped the stairway, the sum total being four.



"Finally, "For in the letters another secret may apply," are the last words of the paradigm, which the medium tendered.  The statement is, in every aspect, duplicitous yet symmetrical.  The first word spoken, a double entendre, referenced the fourth letter of the alphabet, in turn referencing the additional letter added to her name; the statement was a riddle within a riddle.  The Gordian knot had to be unraveled.  Metaphorically, it required the Alexandrian solution.



"Moments ago, I became angry, no, that is not corrct, I was incensed and consequently insulted your daughter while praising you.  I understand that what I said might have been necessary, to lift a curse, but it truthfully does not make me feel well.  In all honesty, I feel dreadful: not only concerning making her cry but also of losing something perhaps more valuable, losing sight of the truth. I understood what you offered.  However, what you offered is not yours to give.  It is hers.



"You advised you daughter to neither loose nor deny me, if it were permitted.  Mrs. Agapp, she neither lost nor denied me.  Regretully, I lost and denied her.  I pushed her away myself.  What may have been permitted was dissolved by my words.



"Truthfully, both of our obsessions brought us together:  mine, a vision of her beauty; hers a vision for her love of the truth.  If anything, mine was the most superficial.  What is more evident is that the verbal knife which I cut her heart out was crueler and sharper than the one physically used upon me; thus, becoming the Alexandrian solution to which I alluded.  



"You pleaded with me to return "your sweeet," "to gliko sou," and to reconsider my words.  I am doing so as I speak.  My desire to see your daughter was not to evaluate her or meant to demean her.  To the contrary, I desired to look beyond the one dimensional picture, which nightly preceded and followed my nightmares.



"Having stared so long at her; not measured in the meager minutes of a fleeting memory, but for over three thousand seven hundred years of a constant vision, it became something I had to do.  If I had not done so, then none of this would have happened.  Is that good or bad?  Truthfully, I am torn.  Never-the-less, you are correct, none of this is coincidence.  



"Please understand, I merely desired to view her from another perspective.  Honestly, I would have walked continuously around her, not merely to gaze, but also to reachout and touch someone who had become so suddenly real.  Moreover, the way I am speaking to you now, understand, this formality is not my choice.  And, for the mment, I will lapse to what I desire ... I want to be ...

teddi

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Promises, Obligations and Consequences
« Reply #130 on: September 29, 2008, 12:21:28 AM »
"...oloklerou ... aphobo ... entirely ... unafraid.



"I know it's only one word to you ... but ... it means a lot to me.  You said if you knew my fears that you might be afraid as well.  Mrs. Agapp, really, you wouldn't want to remember all the stuff I do or even half of what I've been afraid of:  and, I've been afraid of a lot of things and now they all seem to be balled up into one big mess.  Heck, I'm even afraid to go to sleep at night ... nightmares mostly ... but sometimes ... sometimes ... I don't get to wake up ... you just ... I just ... you know ... it don't take too long to go where I've been ... for me ... been there lot's of times before.  Besides ... besides ..."  I trail off ... shaking my head, side to side, while fingering the secreted satin hem ... as my legs begin to shiver and shake, while I continue, "... and ... and ... for me or who ever I was ... the end always comes too fast.  Now it seems that even my old bad memories are demanding to linger and last forever, while I add a whole lot of bad new ones to them, like now.  At least when I wasn't here, alive that is, it was legal to have a good dream.



"If I had met you before today, I ... well ... I used to stutter...a lot...actually...it was so terrible I was afraid to talk.  But Astyanax helped me out with that.  Go figure.  Now it's a struggle for me to just talk natural ... without...without...sounding like some sis...I mean... nerd...you know...all so polite.. prim and proper...all formal and stuff like that.



""And...well I guess you've noticed I have another kind of a problem...well maybe two or three more.  Obviously...I need to wear pull-ups ... and ... and ... sometimes diapers at night...o.k. maybe even in the day too...especially if I get stressed out or nervous.  I just hope I don't puddle up on the floor right now 'cause the other thing I freak out about is that ... that ...I'm really afraid of girls.  Especially since, I look like one, and everyone makes fun of me... well...they've always have and still do...nothing new there.  Of course, there's more ... it has to do with the prince and princess part...your smart and can figure that out.



"But...honestly, I've always been alone...like in just me...no...no...other.. well...I'm still a virgin...go figure...afraid of girls and still a virgin...duhh...no...no studying the why or wherefores there either.



"Besides, how can I even begin to tell you how alone I am, right now, I know I've never been this close before...to... to...actually...actually wining?  Is that the right word?  I thought wining would make me feel good...instead...instead inside...emai koilos...I'm hollow.  If wining makes me feel this bad I don't think I want any part of it.



"I mean...I'm really happy for my Mom and Dad too.  But... now...now I know that when three of the four that I chose are gonna be born that I'm going to be...be...really all alone.  Does that make any sense to you?



"I'm gonna leave me behind.  No, that didn't come out right.  They're gonna leave me behind so...so...really...I won't have anyone inside to talk with me anymore ... even if they...I mean...they were all me...now...now they'll be gone and I'll...I'll be even more afraid...'cause it means I really won't have anyhone to...this isn't right...I mean why would I go and purposely ruin something that I so desperately wanted?  It wasn't a secret to me.  I didn't want to hurt your Melina, honestly.



"If there was another way I know I would have done it... but...if I fudged what I did...then...then...I wouldn't feel so great about doing the right thing!  What a laugh.  Feeling great?  Satisfied about the right thing?  No.  Not at all.  Just the opposite.  Between the two of us, Melina and I, it's obvious that there have been many hearts broken and scattered about throughout the past.



"Tora...me na kanei to sosto pragma...duo perisotero prosthekete molis.  Now...by doing the right thing...two more have just been added.



"As you suggested, I have considered her words, carefully, and I know what she told me, and revealed to no other, was the truth.  For what it's worth, that's still her secret.  I won't tell.  Besides, I might look like a girl but I'm not a bratty tattletale.  I mean, why would I?  I'm not spiteful.



"Mrs. Agapp, you said that you believed me.  Sas efxharistoume...Thank you.  For some reason you're a whole lot easier to talk to than...than my M...no... it wasn't her fault if she didn't believe me, but it kinda suc-ks big time.  I mean, I always told the truth and got creamed for it.  But with you it's different, you said you believed me.  I mean if your Melinda lied to you, just from the way you spoke to her I know you didn't intentionally hurt her.  I mean like go out of your way to be mean and stuff.  So why...was I...always dumped on?  I'm sorry ... I'm just kinda thinking out loud.



"Please listen, you repeatedly pleaded with me to return your sweet.  Fusika, yia me polu emai athunatos.  Physically, for me that is impossible.  The one called Melinda, and so named, no longer exists.



"Tos pou etan prin apo exhi allaksei yia panta.  Then mboro na teen allakso piso.  Who she was before has forever changed.  I cannot change her back.



"In this life, until moments ago, she was misrepresented.  While you may not have understood many of my newest sister's words, I did.  Lupame, forgive me, for now I must lapse to formality.



"What remains for her, Melina, to return to you, is a matter of choice.  It is no longer a matter of expediency.  The "I" must no longer remain a matter of convenience.  Your words, not mine.  It is her choice.  It is only now that I realize why "I" have been at the center of all this.  Do you both understand?



"Mrs. Agapp, I did not ignore your pleas, to the contrary, nor did they fall on deaf ears.  You asked me to look kindly at your daughter, I have done more than that and as for leaving her shattered with my words; I would not do so.  It will take but four words to soothe her heart, a total of eight to discover herself again.  Eposxomai, tha meliso allo enas yea na  apokatasteso teen karthia tis.  I promise, I will speak but one to restore her heart.



"Mrs. Agapp, please, do not turn around, I have been speaking to both you and Melinda.  She is standing outside the door to my room.  She never went all the way down the stairs as you asked; or, as I demanded and as Aeron requested.  She merely took four steps down and tried to sneak back up to listen.  Most sandals make the noisiest sounds.  My ears are still as sharp as Elias' ever were.



"Ean e alethea epidthioketai ellikrina, then tha stasso me to dthromo.  If the truth is honestly sought, I will not stand in the way.  Again, I did not turn a deaf ear; either to your pleas, or to her halting exit.



"Honestly, if I were in her shoes, I would have done the same.  That's what I would have done.  Melinda, I know you are standing outside the door to my room.  You have heard every word.



"If you desire and seek the truth, I will ask you to stay as well.  Oh, and please do not try to sneak down the stairs to try to make believe that you are not there.  Each step makes its own particular sound, believe me, I would know; counted and listened to each step myself.



"I can even hear you breath, heck, even your sniffles give you away.  I promise, I will not say anything else to upset you further.  Well, maybe what I have to say will make you cry, but I apologize for that in advance.  However, between you and I there is more to be said.  Moreover, what is spoken must be face to face:  you and me.



"When I asked you just a couple of minutes ago, "Why don't you just turn around, walk down the stairs and run out the door?  Why do you remain?  Have you not figured out the answer?  Melinda, don't just stand there, why don't you, do as three of us have asked?  Will you remain as you are?  Prepe na eiste panta toso antithetoi?  Must you always be so contrary?



"However, for the sake of arguement, your Mother was in error; there is one thing that you can do here for all of us.  Listen carefully.  Don't leave, I'm asking you to stay and do not leave the packages outside my room.  Melinda, when you return, with your first words, you must tell me what you think.  Honestly.  But you must speak to me first.  I'll accept them from you with your Mother's permission of course.  You are smart, consider all of my words."



With my last spoken thought to Melinda, Mrs. Agapp casts a quick glance outside my door to confirm her daughter's presence.  Mrs. Agapps' slow nodding consent, is couple with her well-presented rhetorical questions, to which she understands, at least from me, do not merit a reply.  It is her smile as she begins to speak, which I note.  To sumpatho.

I like it.



"Christopher, my child, forgive me, if I may, listen once more to a mother's counsel.  It would seem that my part in this has not yet run its course.  Indeed you are precient.  I will explain in a moment.  Sas epistevome yia na kane ta sosto pragma.  I trust you to do the right thing.



"Alla prota ... but first ... me epitrepsete ... permit me.  You assert that He has peered into your soul, with His Jeweler's Eye.  In all the times, he has done so, has He found any imperfection in you?  If not, is it not His considered judgment that you are supposed to be as you have been, through these many thousands of years:  ena ormorfotero pedi? ... a most beautiful child?  Would you deny your own words that you are, "Beautiful, just what I wanted to hear?"  Is that consideration not worthy enough to ease your mind as to your appearance?  Parakalo, theoreste oti e emfanise sas se Toon enei simantike ke skopime.  Please, consider that your appearance to Him is significant and purposeful, if not also pleasing.



"My sweet, you said you will not lie and only will speak the truth.  Your very words, "Right Christine, really stylish, lace and satin bows, just what I'd want."  You cannot deny that those are your words, for they certainly are not mine.  If they were truly your secreted desire, and would soothe you, for the moment, to you, what would be the harm?



"Besides, there is or hidden of you, more than what the sheer pretense or illusion of what is observable to that which, in fact you actually are.  Lupame, tha aplaploieso.  I'm sorry, I will simplify.  An obsevable disguise may be mistaken, and not be entirely understood: unless, the true depth of the disguise is made evident.  For the moment, you are dressed as a girl, or more poignantly; by the inference made of you, and so personally taken, through the means of an anagram, a "sissy."



"Lupame, ke then semaina kamia parabvase, alla apo teen emfanise kanenas then tha ixsere ti dthiaphora.  I'm sorry, and I mean no offense, but now, by appearance, if seen by another, no one would know the difference.  As,to whether you are, male or female.  Only you would know.  The connotation to you therefore either becomes one of personal derisive recognition or of rejection, be it partial or in total.



"Mono tha xerete teen alethea. Only you would know the truth.  Se oli o oloi, pedi mou, tha esaste steen pragmatikoterea, ena ainegma.  To all others, my child, you would be, or in fact are, an undecipherable enigma.  Este kurios tone lexon; tous xresemopoiete yia to ofelos sas.  You are a master of words; use them for your benefit.  



"Christopher, beneath your facade is a quite attractive, eye-catching and striking ... neo agori...young boy.  That is the truth.  You know it as well as all who have seen you as you were born.  Of that there may be more said, but, I too have considered your words as well as your Mothers.  However, it is not my place to continue on this subject.



"Merikes phores, to gliko mou, ti mbore na amfaistei na enei ackrivos to antitheto.  Merikes phores, to gliko mou, ti emfaniszetai na enei letos enei steen pragmatikoteta isxurotero apo sxaluve ke arketa upervolika.  Aisthenomei, me se, o opious eiste alethinos.  Kreveste polus.  Akoma, eistei timioi, isos se ena elattoma.  Lupame, I am sorry.



"Sometimes, my sweet, what may appear to be fragile is just the opposite. Sometimes, my sweet, what appears to be delicate is in fact stronger than steel and quite deadly.  I feel, with you that is true.  You hide much.  Yet, you are honest, perhaps to a fault.



"And here take no offense.  With the greatest of respect, as was Hector; perhaps, you are a little bit too noble.



"Your Mother's well founded reluctance to allow you to be turned by your, or even your sisters desire of you, to fall in love with the touch of satin or lace, was for the most part, understandable.  Oi pio agapestosi, olon ton pullun pragmaton mborete na prospathesete na krepsete, aufto pou then mboreite na krepsete.  Dearest, of all the many things you may try to hide this you cannot conceal.



"I would only add, that if it were permitted, I would spoil you myself, be it with the satin and lace you desired, my gifts, or to allow you to futher lose yourself in the lustrous touch of velvet to your skin.  Your sister Aeron stated, that you are cute.  Little one, you are so much more:  delightful, endearing, appealing, adorable, charming and yes, even pretty.  There, I have used words to describe a fraction of you.  Now, consider, have you taken offense at my description of you?  I hope not.  Other words come to mind as well:  lithe, striking, if only by appearance quit agile, alert, attentive, vigilant, observant, deceptively muscular and well sculpted, perceptive and sharp-eyed.  Have you taken offense to these words? I know better.  So do you.  Yet there is one more observation I will note for you.  There is an inner strength-awaiting emergence.  When it does, my child, I would truly wager a young nobles ransom, that you would be a most frightening and formidable adversary.  Ena polemistes ton tromatikon dunatotetone.  A warrior of terrifying abilities.  One if he so desired, could destroy another with words alone.  Truly, a more frightening counterpart than the one who oppoosed my ancestor.



"Now, if I have upset you, with my descriptions and observations, I apologize.  If I have anything else to add, it would be that you would walk with my daughter on this guided tour.  If there is a disparaging remark made ... forgive me ... but it has just struck me that for some reason through your repeated lives ... that you have had the strength not to fight...dear child ... while it is an admirable quality...it would seem that the time has come for you to become more than a forlorn chld.  Little one, consider my words as I turn my attention, first to your sister, then to your parents.



"Christina, it would seem that you are quite capable of indulging in mischief yourself; you are as beautiful, if not more so, as your brother.  You are subtly captivating, yet unkowingly to another, insidiously invasive:  a mischief maker of fashion.  To what end?  I have yet to reconcile that question.  However, one thing is certain, that the two of you are individually unique.  The mischief both of you could cause together is unimaginable.  But then again, I have always treasured the inexplicable.  Take care of whom you touch, the results may be of consequence.



"Julia Athena, it is my business to purchase precious gems and continually asses their value. While doing so Julia, it is not only the gems, which I must consider, but also those who would tender them.  I must look beyond the obvious and search within for the flaws, which would diminish a gems intrinsic value.  It is with the same jaundiced eye, which I must evaluate the dealer.  The nuances each has, in my presence, are under my constant scrutiny.



"Julia Athena, I am not a fool.  I am not a frightened child whose concerns to date have been of survival or of perpetual loneliness.  Moreover, I acknowledge the child's veracity.  It is evident that you in the past have not.



"Furthermore, even without my jewelers eye, I can see when a garment is intentionally altered.  You have withheld information as well.  You have not completed the mediums counsel.  By your own statement, it was a purposeful omission.  Also apparent, is the significant issue of trust involved, not only between you and your son, but also, between his father and him.



"Forgive my uncalled for observations, but Mr. Markison, does this absence of trust include you as well?  When the child looks at you, his eyes take every part of you in, as if measuring his distance from not only your gaze but your grasp as well.  Even the breaths he takes alter, as if expecting a coming tragedy not of his own making.  Respectfully, by your reticence to become involved in this matter; at least to this point, if ony by appearance, it would seem that, you are at war with yourself over some matter concerning the child.  If I am in error, I apologize.



"There is one more matter, of which I will speak.  Christopher, I repeatedly pleaded for the return of my sweet.  Thankfully, your honesty is beyond what I sought and wished.  Minutes ago, I called you precient.  I desperately wanted my Melina, my sweet, returned to me, not the misnamed and contrary child with whom I have so arduously contended.  You understood.  You, my little one, are as discerning and worthy a soul as I have met.



"Mrs. Markison, Julia Athena, I understand your past actions were necessary.  But, I would ask that if ony for a brief time, that you indulge the child.  There is more to this than mere whimsy.  If, by appearance, he must hide behind the natural pretense of a young girl, it must be for a reason.  Besides, by your own words, you have painstakingly avoided showing even the slightest hint of favoritism to the child, or should I use the words, additional love.  As one mother to another ..."

teddi

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Promises, Obligations and Consequences
« Reply #131 on: September 29, 2008, 12:28:16 PM »
"...open your heart.



"Yes, I heard your words to him, as did we all.  The child understands words better than you realize. However, Julia, sometimes, a miserly measured and stinted love, is nothing more than a bouquet of flowers:  capriciously purchased, easily tendered, cherished for the moment, but soon forgotten after they have withered and died.  Some types of love can be the same.



""Julia, sas eipa ego then eimai anonoietos.  Julia, I told you I am not a fool.  When the child asked if his pull-ups, "etan kokino me to eima" ... "were red with blood," you refused to answer.  No, that is not correct, you did reply.  But, you spoke cryptically.  Your comment, though truthful, assiduously avoided the answer he sought.  Why do you prolong the chld's agony with the subterfuge you have promulgated?  Akome kaixero teen apantesi emopion tou paedthiou.  Even I know the answer before the child does.



"While he gave you what you cherished the most, what have you unconditionally given in return?  That is, beyond expectations, just, to do the right thing and nothing more?  Julia, to you, I am only a stranger, but even I understand that the little one, who still quakes before us, has tried to instruct you in more than what you had dared to dream.  Katalabvendete?  Do you understand?



"Only moments ago, he said he now trusts you, while the others he claims to have been, have always trusted in you.  That in itself is a contradiction to your logic of how you have engaged him.  Unfortunately, to but minutes ago, it would appear you have been an ice queen to the child, if you have  only "done the right thing" and nothing more.  I will ask you again.  Katalabvendete?



"No, there is no need to answer.  That is a rhetorical question.  The perplexed look on your face is explanaton enough.  You do not.  Permit me.  The truth, Julia, is only that, nothing more nothing less.  Einai ena krio gegonous.  It is a cold fact.  Eiste e eikona kathrefton tis?  Are you its mirror image?  I will not apologize for my excoriation of you, were you as cold to the child, as his cries have led us to believe?



"If only from my brief observation, the objective hunted, is exactly towards what he has single-mindedly, with an unswerving dedicated passion, has directly guided you towards.  It was you he sought, and you, upon, whom he wagered all.  Now, he would even sacrifice his victory for you, his, raison-detre, and by doing so, he would be lost to us forever.  Despite his concern for his own mortality, his primary concern is to and I quote, "Let you off the hook."  Amazingly, from what little I have gleaned from this, your son still maintains his sense of nobility, despite all, quite extraordinary.



"Indeed, there is a matter of trust between the two of you.  Of that, I have no doubt.  The child has made no eternal pledge to me.  He made it to another.  Nevertheless, what he would do for me, my daughter, and my family, in appreciation, I pledge to him my respect, and affection.  Tha tone prostateva san etan mou dthikoi. I would protect him as if he were my own.  That I promise!



"Nor, Julia Athena, did he oblige himself to me.  The obligation is mine to him.



"You both may consider my words as insignificant misperceptions, petty and triffling; as well as uncalled for intrusions into your personal affairs.  It is not in my nature to succ-umb to social falsities.  Besides, even if uncalled for, my participation in this, if only for the sake of my own daughter is necessary.  While I am here, I will speak my mind and damn the consequences!



"As a mother, if you have only dealt with the truth, as a mother I have not.  Even so Julia, I allowed myself the failing of most mothers.  I trusted my child and opened my heart to her.  I did not condemn her with my additional love.  To the contrary, it was generously given, over the years, and certainly, not measured and withheld until some climatic moment to endear myself to her:  as your moving mea-culpa was to your son.  If you consider me spiteful and unsympathetic, Julia, your son is a master of rhetoric, in all the words you spoke, he would have all too soon discerned the contradiction.  If not for his preoccupation with my pleas, as well as the living image of my daughter, he eventually, even without, the slip of a tongue, would have perceived the inconsistency.  Katopeen, pos tha eixhate apokrithei?  Then, how would you have responded?



"Aleithos, kinoontan.  True, it was moving.  But you hoarded the essence of what was called for through many years until now.  Julia, I am not speaking of words.  Oi lexeis, mboroun na blaspoun, na therapevsoun e na skotosoun.  Words may hurt, heal or kill.  No Julia, it is not the words, by which the child was motivated.  It was the touch of a hand.  Your son's words, "The first time ever I got excited over thinking about, about ...."  Once again, he halted his measure thought.  However, here I shall fill the void for him.  Julia that void is but one word ... love.  By appearance, it is that which for thousands of years he has been shorn of, and still so desperately needs.



"You gave him three well-presented reasons containing many words.  I would wager, you have rehearsed and revised them for years on end.  Pos upertoptikos, alaszonikos kai pompodthis na skeptei oti auftos then that katalabvene telika, me aufton ton trop na gyne periphronetikos sas?  How condescending, haughty, arrogant and pompous to think that he would not eventually understand, thereby becoming dismissive of you?



"Did you ever consider using but eight instead?  For example, "Please, forgive me.  I was in error, truthfully."



"If your love for the child goes beyond the truth, does it extend beyond merely doing the right thing?  Moreover, will he consider himself an intruder when your other children arrive?  When he views your affection towards them, tha ghinei paresakto? ...  shall he become an interloper?  How shall he, in his own words, "Fit in?"



"If you have looked at love from both sides, as claimed, it is only from your perspective not his.  While you understood your failing, have, you ever considered the consequences, beyond what has driven you?



"Ean metera pou exhei upstereixei panta me mia pou einai to antitheto ke mono tora mbriskete sto xhelios tis anupopsiates ekplerosis stis prosefkes this xhalazi mines sas stous ouranous epano apo ta psullaego krios.  As a mother who has always contended with one who has been the opposite and only now finds herself on the brink of unsuspected fulfillment to her prayers; your victory hail to the heavens above leaves me cold.  Indeed, YOU may have succeeded in your pursuit; but it is the child's hand, which has predicated your accomplishment.  Yet it is not only his hand, which has scripted this.  All of this is for a greater purpose.



"Even the look in your son's eyes speaks volumes.  He understands why he is the center of this.  



"Gya tone, then uparsxei kamia dthiaspeui.  Exhei pagyidthefte.  Piasmenos se ena Isto tone dthiadthosikon zooun stis opoeis kratate tora to kledthee.  For him, there is no escape.  He has been trapped.  Netted in a web of consecutive lives to which you now hold the key.



"I understood his words.  As I have stated, it is my nature to observe those whom I deal with, moreover, even the twitch of an ear or the furtive glances between a younger brother and older sister, does not escape my notice.  Polu liga.  Very little does.



"Now, if you so desire, tell me to go to hell, but smile as you do so because it will be the truth you speak.  If not, and I would hope not, then there is little left for me to add except that moments ago your beautiful son asked a favor of me, to remain and speak to both of you, now, after my diatribe, would it be an additonal burden to do so?"



Mothers stunned silence and cautious wagging of her head from side to side, allows Brisa, without her even looking at Dad to continue and as she does, The Gallery of the Gods, in unison, nod their agreement.  Brisa continues.  But as she does, her eyes focus upon me as she speaks once more.



"Christopher, behaupten Sie zu verstehen.  Sie wirklich?  Sie erkundigten sich, wie sie, Cassandra, meine Tochter sein konnte.  Es wurde scheinen, daB jetzt Sie auf der gegenuberliegenden Seite der Munzesind.  Verstehen sie?  Werden Sie Stille verwirtt?  Der Kreis bleibt welterhin unversehrt.  Aber nun, sind Sie, hundert und achtzig Grad von seinem Anfang.  Es gibt keine als Rahmen des Hinweises zu verwenden Kerbe.  Betrachten Sie den Protagoisten, der Tyrannen sich engagiert.  Sie verstehen, wem  sprech ich.  Ihr Aussehen ist jetzt ein Anhaltspunkt.  Wenn meine Tochter die Brucke werden solt, sind Sie der Begrunder von ihr aller.



"Christopher, you claim to understand.  Do you truly?  You inquired, how she, Cassandra, could be my daughter.  It would appear that now you are on the opposite side of the coin.  Do you understand?  Are you still mystified?  The circle still remains unbroken.  But now, you, are one hundred and eighty degrees from its beginning.  There is no notch to use as a frame of reference.  Consider the protagonist who engaged Hector.  You understand of whom I am speaking.  Your appearance now is a clue.  If my daughter is to become the bridge, you are the originator of it all.



"Mr. & Mrs. Markison, forgive my forwardness in this matter alone, but all I have heard from my daughter, have been her continous longings for whom she mistakenly considered your daughter.  Regretfully, neither your son nor my daughter has been properly introduced to the other.  If it is satisfactory to you both, consent to the introduction."



Without waiting for a reply from either, she continues, but turns her head to the still empty doorway, speaking to Melinda in a tone of voice to which I would not want to be on the receiving end.



"Melinda, listen carefully, hopefully, hopefully, this is the last time I will call you by that name.  Three times, you have been asked to leave and each for various reasons.  When you return with the packages, do, as you will, the choice is yours.  But I promise you this.  From this day forward, and each day afterward, if you remain the differing child you have been, I will not need a light to read by in the evening.  Your ever glowing behind will do just fine!  Tora adtheia!  Now leave!"



Elias, Christine and I are in accord.  We wouldn't want Mrs. Agapp to blister either of our butts.  Astyanaxs' first words ...Uhh Uhh...Kanenas-tropos...Kanenas-pos ... match those of Joachems...Uhh Uhh...Kein-Weise...Kein-wie.  They are identical to those thought by us all, "Uhh Uhh...No way...No how."



Before Christine can think of a smart ass comment to make I take the lead and speak to her.  



"Christina..

teddi

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Promises, Obligations and Consequences
« Reply #132 on: September 29, 2008, 02:49:44 PM »
"...right now, you're thinking about how "sweet" I am or might be about all of this, and how "sweet" it might turn out, thrill me, just think of another set of words.  For now, make somebody's day, please, why don't you go and get what you were going to before I stopped you.  We both know what it is.  By the time you get back, I promise, you won't miss a thing!"



For once, my sister listens to me and doesn't make a scene. No pun intended. As she rushes past Mrs. Agapp, each takes care not to touch the other, though; the eye contact between the two is considerable.  Before Christine has completely turned to the right, to begin her brisk walk towards her room, I look at my Dad; and, as I exhale, I appreciate that he may have the roughest part to play.  I truly feel unhappy for him.



Melinda's footsteps, down the stairs, are almost coordinated with my sister's quick steps back to her room.  The quicker pace downward is noted, as is the tell tale sound of the audible click-clatch of the front door now being turned open followed by the clack-thud low mid-base reverb, of the door being slammed shut as the cylinders cold metallic click, finds its keep.



Christine has made her way back to her room, the sounds of her rummaging through her closet, though heard, are almost lost in her boisterous and increasingly frustrated curses.  Her puposeful search has become an expedition of frustration.  



The looks on both Mrs. Agapp and Aeron D. are outwardly in accord.  Both have faint, almost cryptic smiles.



Mothers face, has lost what joy there was, becoming apprehensive if not fearful and gloomy.  Her roaming eye's take in her imposing counterpart, Brisa, while also darting from Dad to me and then back to Brisa then falling back to take in Aeron D. as well.  Aeron D. and Brisa exchange the same quick looks to one another.  Then, as if on cue, begin the same stone-eyed process from me, to Mother, Mother to Dad, and Dad to me.  The looks from each one to another, engaged in by all, is vaguely reminiscent of a past memory, of one who will slap leather first.  However, the first to touch will not necessarily be victorious.  In the stillness, I consider that for here and now, it is not the singe-action revolver, which will kill, but rather, the single-action of a misspoken word, which may be as deadly; but to whom?  Moreover, while it may not be a stray bullet which will harm it very well may be the stray word.



The increasing tension is visible.  Mother's hands are trembling as once again she pulls one pen from the smock she wears and the other from her shirt pocket, carefully holding both in her left hand; obviously understanding that she awaits the thirds arrival.  Though trying her best to appear relaxed, for her, now, that is impossible.  The hazed closet mirror she glances into cannot mask the droplets of sweat, which now begin to bead upon her forehead.  Nor can it shroud her increasingly labored breaths.  The truth has become indisputable; it is no lonter a shield, which she may hide behind.  Painfully, she holds the key.  But does she know what must be done to unlock the net in which we both are trapped?  I knew I hated fish for a reason.  The question has been posed, has she been schooled, or shall her private iciness hold sway?  Again, my silent prayer for her is one word, "Please."  Brisa has given many clues, as has Aeron, but so has Mother.  If one is the mirror image of the truth, which one is it trapped within the looking glass.  The image is real, but from within, looking out, what it perceives , is the opposite.  Now the thought is also clear that my observation to Melinda was sound.  I am not the opposite side of the coin, but rather the true face of it all.



For the several moments that all stand and eye each other it becomes evident to me what must occur.  As I too look into the same mirror I consider that, this time, I will not yield without a fight, no, not this time.  Yet, I must be soft-spoken and synergistic.  Moreover, be as intrepid and sagacious as both Aeron D. and Brisa, would expect of me.  It is my obligation to them, now, I really do care what they feel about me, and in return, I feel affection towards them for it.  Both would be proud of me.  I have arranged and used the words to my advantage.



Further losing myself in thought, my mirror image continues to stare blankly back.  The bows and earrings are still in place.  For some reason, even with the hastily applied make-up on him they appear...passable, yet inconsistant, if only for the all too observable earring clips.  I realize that now, after having called him the name he dreads, that he is the fearful one trapped in the mirror, not I. Individually, I would leave him behind for dead.  However, pragmatically, that too is not even a short-term option.  The one ensnared within the mirrors confines can figuratively die alive for some time.  I acknowledge that for some reason, he will be necessary, but that over a period, he will be assimilated.  Truthfully, a cold-hearted thought, but logical.  Both Aeron and Brisa's thoughts were sound, but I have adapted each counsel to suit my needs and desires.  There is no derisive recognition, only a provisional acknowledgment that I can live with.



Dammit!  This formality crap is getting to me!  O.K. If I have to look like a girl...no...that ain't right!  My sister looks like me.  I sure as hell know that I don't want'a be a ditsy air-head, she's not!  But damn it, why am I so fricken "proper?"  I'm gonna get pounded royally if this keeps up!  Why can't I just think normal like?  Brisa said this was, "All for a greater purpose."  Black and blue bruises ain't my idea of purposeful body art!  I was giving Christine a rash of crap for it...now it's getting worse with me!  What the h..."



"Gotcha!...Finally! are the two shouts by which Christine interrupts my mindset.  Sarcastically I quip to myself, a clear case of "boisterous interruptus."  The colorful metaphors she shouts are equal to the similie, as she begins to throw some of the stuff back into her closet, that she had quickly pulled them out of.



The three within reprimand me:  I have ended my thought with a preposition, my solitary reply, "Bullshit!"



Even through the walls, her words can't be missed.  Each successive thump on the wall is married to a loaded similie or two.  "Damn worn out fk'n high heels...get...ugh...the f'k...back...uhhh...in...ugh...there!  Ohh my fk'n

...jees...us...carap of...yukk...a pink ass...dragging...my butt down...backpack!...was always a royal piece of...worn...get...out!....of my...crap...way!  What!!! pee euuu...to hell!...whha...are...with these...tangled...up!.... uhh godda...t-what wadded panties!...ggggrosss...me to the max....out!...doing here?!!  Damn son of a...falling down...bitch...hanger! I ...can't...dammit!...son of a...stay where the hell...worthless...I mean it...dammit...stay...where I...hung...YOU!!



She goes on.  But, here and now, why bother.  It's more of the sort of stuff some really p.o'd girl might say if she had a mind too. Least I would anyway.  That is, if I was one, in my mind I mean.  At least she's offered some comic relief.



Anyhow, if this were a race, Christine would have blown it.  In her haste to get back to my room she trips over her "lovely" pink backpack that she had dug out from the cavern she calls her closet.  I mean it'd make five of mine.  Girls have all the clothes and stuff they want and still complain that they don't have anything to wear.  Am I being catty or envious?  Go figure.  Anyhow, before she takes a header to fall nose first onto the floor, she regains her balance while at the same time, downstairs, the slam of the front door announces Melinda's raucous return.  Of course Christine attempts the obvious and tries to kick her wonderous backpack back into the closet.  "TAKE THAT!" she screams, as her toes hit the still heavy offending member.  Her shouts of pain now meld with Melinda's not so dainty footsteps as they come tromping up the stairs.  If either is ticked, neither attempts to hide it.  As for Melinda, I can't blame her either.  If Brisa said she was gonna turn ecologically friendly, by making my butt glow in the dark, I think I'd have to tighten up the butt muscles as well!



As fate would have it, Melinda's last step from the staircase ends up in disaster.  Of the purposeful and emphatic entrance she might have made, she instead finds herself sprawled face down on the hardwood floor entry to my room.  Four seperately gold foil gift-wrapped packages, complete with white satin ribbons and bows precede her embarrassing, less than graceful appearance; all followed by a significantly larger, but plainly wrapped box, which skids to a halt beside them.



To my surprise, Brisa, maintains her position, and by her own inaction and stolid appearance, without a word, forces Melinda to gather herself as well as the scattered packages.   While words are not exchanged, the looks between the two are enough.  Mrs. Agapps' looking down at her daughter, is one of expectation:  unequivocal and unconditional.  I have seen that stare before and its meaning is clear.  Screw up one more time and your so totally mine!



Melinda is, looking up.  Well ... maybe.  Her face is one of apprehension and dread.  I empathize with her.  Will the ice hold my weight?  Will I freeze first or drown?  Or both?  Will it hurt much when I hit the ground?  Why am I falling in slow motion?  When the knife is forced to the hilt, will I cry?  Will I make it to the shelter before the wolves have found me?  Don't think so.  Yes, I understand that look well, too well.



With as much poise and self-control as manageable she has studiously avoided looking into my room; and, in the midst of as much mental calm as one may expect, gathers the packages.  Her attempts at regaining total composure are noticeably less than successful. During her face forward fall, the rear of the short white skirt she is wearing has lurched up and forward, coming to rest up over her butt; exposing her lavender laced trimmed pink panties.  The telltale form, of what she wears beneath them is conspicuous.  As she stands the back of the skirt clings to the small of her back.



I control my desire to smack my lips, well almost.  But I cannot escape the purposeful gulp as I stare at the situation, which now presents itself.  I close my eyes whispering but two words, "ohh ... Jeez."



It is from Christine's perspective that I now look down towards Melinda's humiliated face.  In tears and unknowingly further shamed she regains her stance.  As she begins to stand, her tearing eyes have lead her head to the motion of my sister's feet that now stop to stand in front of her.  Christina thankfully uses good judgement.  She makes no contact.  There is no need.  Even without the touch of her hand, I know what is going through Melinda's mind.



Cautiously, Christine edges past both Melinda and Mrs. Agapp with the sought after object firmly gripped in her right hand.  Without hesitation, her first thought is to present it to me.  With eyes closed and without prompt, I refuse.



"Christine, what you theorectically "found" at Meadow Watch and have hidden in your backpack until now, was not by chance.  We both know why the eagle landed to face up with you.  He clawed it from the earth, for me."  I open my eyes to look at Christine, and continue, "Not you.  We are mirror images.  I do not look like you.  You look like me.  It is for that reason, he allowed you to take the pictures of him for me.  What Elias supposedly lost over two hundred and fifty four years ago once belonged to Edwina A. Worthington.  In fact, it was never truly lost; its location was always known, but not to man.  Aeron Deryn, also known as Krystal, said, Think of Aquila.  There in shall hold the key."



"There in," it laid waiting.  For you, "shall hold the key."  What a simply complicated and perfectly turned phrase.  The eagle held the key, as does my once similarly named sister.  What you hold Christine is now Mothers, give it to her.  The remainder of this riddle is hers to solve."



Mother's now bewildered look is logical.  As she holds her breathe, it is with significant consideration, that she accepts what Christina holds.  She neither smiles nor grimaces.  She simply stands alone, eyeing the two pens in her left hand, while ever so slightly fingering the still soiled third in her right, between thumb and first finger.



Her looks to me are simple enough to understand.  She is at a loss.  The twists and turns of the paradigm have left her emotionally wrought and crushed.  She is so near and yet so far.



With a forced smile, Christina acknowledges my nod and gesture to occupy her former seat on my bed.  For now, she has played her part.  Her Theatre of the Absurd is about to enter its finale.  My gentle whisper to her is simple, "Christine, don't worry."



Melinda begins to walk towards me.  But, Brisa, with her left hand, firmly grasps her around the waist and begins to speak.  "Oxi.  Prepei na pareimenete.  Kratiste tis skepsis sas kai proeidthopoieitai epises.  H olithese mias glossas tha telelione mia psuxhi.  Parte teen prosexhi poiu then einai dthikos sas.  No.  You must remain.  Hold your thoughts and be forewarned as well.  The slip of a tongue would end a soul.  Take care it is not yours."



While sympathetically lowering the back of Melinda's skirt with her right hand, as a mirthful afterthought and with eyes focused on me, she concludes, "En toutois, aufto tha emphanizotan oti einai e parthenia sas poiu einai sti megalefteri dthiakeendthunefse, apo teen psuxhi sas."  "Though, it would appear that it is your virginity which is in greater jeopardy, than your soul."



My spontaneous response is to shrug my shoulders and demurely grin in embarrassment while I mutter to myself, "What an utterly amazing lady."  My slight nod of acknowledgement to Brisa is returned with a knowing smile.



It is then that, as gently as I can, turn towards Mom and begin, "Mother, ..."

 

The more you give, the more I can give back.

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