Tinkydrew Part 6
The air in the pink-drenched room feels thick, almost suffocating, as Aunt Margaret claps her hands with a gleeful flourish, her eyes sparkling with that feverish excitement I’m starting to dread. My bouffant curls, now locked in place with coconut-scented hairspray, bounce slightly as I shift uncomfortably on the vanity stool, the cold metal of the chastity belt a constant reminder of my vulnerability. The engraved words—“Tinkydrew,” “Auntie's Sissy,” “Delicate Doll,” “Princess in Training”—burn in my mind, especially “Tinkydrew,” etched right where my boyhood used to be. It’s as if the belt is rewriting me, erasing Andrew and leaving only her little Tinkydrew in his place. My stomach churns, but I’m too overwhelmed, too exhausted, to argue as Margaret turns to the wardrobe with a purposeful stride.
“Oh, Tinkydrew,” she says, her voice dripping with anticipation, “I’ve been dreaming about this moment ever since I heard you were coming to live with me. I’ve had one particular outfit in mind, just for you.” She glances back at me, her smile wide and unyielding, and I feel a prickle of unease. “It’s perfect, you’ll see.”
She opens the wardrobe doors with a dramatic flourish, and my breath catches as she pulls out the most over-the-top outfit I’ve ever seen. It’s a fairy princess dress, but not the kind you’d see in a store for kids—it’s too juvenile, too feminine, even for a five-year-old girl. The dress is a frothy explosion of pale pink and lavender tulle, layered with shimmering organza that sparkles like starlight. The bodice is fitted, adorned with tiny silver sequins and embroidered with delicate roses and vines, each petal edged with glitter. Ruffles cascade from the shoulders, forming puffed sleeves that look like they belong in a storybook. The skirt flares out in a bell shape, so voluminous it seems to float, with a petticoat underneath that rustles with every movement. A wide satin sash, tied with an oversized bow at the back, cinches the waist, its ends trailing like ribbons on a gift.
But the wings—they’re what make my heart stop. Attached to the back of the dress are large, translucent fairy wings, framed in delicate wire and covered in gossamer fabric that shimmers with iridescent pinks and purples. Tiny rhinestones dot the edges, catching the chandelier’s light, and I can almost hear them tinkling like chimes. They’re the kind of wings I wore as a five-year-old, when Margaret called me Tinkydrew and twirled me around her living room. But these are bigger, more elaborate, and unmistakably meant for me now.
“Aunt Margaret,” I stammer, my voice barely above a whisper, “that’s… it’s too much. I can’t wear that. It’s for a little girl.”
She laughs, a bright, tinkling sound that fills the room, brushing off my protest like it’s nothing. “Nonsense, Tinkydrew! It’s perfect for you. You’re my little fairy princess, and this is your castle.” She steps closer, the dress draped over her arm, the wings swaying slightly. “Let’s get you dressed. We’re going to have so much fun today.”
I want to argue, to tell her I’m Andrew, not Tinkydrew, not a princess, but the weight of the past few months—losing my parents, the long train ride, the locked door, the chastity belt—presses down on me. My mind keeps drifting to the engravings on the belt. “Delicate Doll”—am I just a toy to her, something to dress up and play with? “Auntie's Sissy”—is that how she sees me, fragile and small, not a man at all? And “Tinkydrew,” that name carved where my identity as Andrew should be, feels like a brand, a claim that I’m hers to shape. The thought makes my chest tighten, but Margaret’s already moving, her hands gentle but insistent, and I’m too overwhelmed to resist.
She starts with the petticoat, a frothy white thing with layers of tulle that she slips over my head. It settles around my waist, making me feel like I’m drowning in fluff. Next comes the dress itself, and she guides my arms through the puffed sleeves, the fabric cool and silky against my smooth, hairless skin. The bodice hugs my slim frame, the sequins catching the light as she zips it up the back, the sound sharp and final, like the click of the chastity belt. The skirt flares out, the petticoat giving it a life of its own, and I feel ridiculous, like a doll being posed. She ties the satin sash tightly around my waist, the bow at the back so large it brushes the floor. The wings come next, attached with hidden straps that she fastens around my shoulders, their weight surprisingly light but impossible to ignore. They sway with every movement, a constant reminder of the role she’s casting me in.
Margaret steps back, her eyes gleaming with satisfaction, and kneels to slip a pair of accessories onto my feet—sparkly pink Mary Janes with tiny bows and rhinestone buckles, the kind a little girl would wear to a birthday party. They fit perfectly, just like the chastity belt, and a flicker of suspicion crosses my mind again—how does she have all this, sized exactly for me? But before I can dwell on it, she’s adding more: a delicate silver tiara, studded with pink rhinestones, which she nestles into my bouffant curls, pinning it in place so it won’t budge. She clips matching rhinestone earrings to my ears—clip-ons, thankfully, but they pinch, their weight tugging at my lobes. A choker follows, a thin band of pink velvet with a heart-shaped pendant that reads “Tinkydrew” in curling script, echoing the engraving on the belt.
She’s not done. From a drawer in the vanity, she pulls out a makeup kit, and my heart sinks further. “Just a little touch-up,” she says, her tone soothing but unyielding. “To make my fairy princess shine.” I want to protest, but her hands are already moving, dabbing foundation on my cheeks to smooth my already pale skin. She brushes on pink blush, high on my cheekbones, and dusts my eyelids with shimmery lavender shadow. A touch of mascara makes my lashes look impossibly long, and she finishes with glossy pink lipstick, the sweet taste lingering on my lips. Each stroke feels like another layer of Andrew being painted over, replaced by Tinkydrew, her creation.
Finally, she adds a pair of fingerless lace gloves, white with tiny rosebuds, and a wand—yes, a wand—sparkly and topped with a star that glitters under the chandelier. “Hold this,” she says, pressing it into my hand, and I clutch it, my fingers trembling. The outfit is complete, and I feel like I’m drowning in it, every ruffle, every sparkle, every accessory screaming “little girl” in a way that makes my stomach churn.
Margaret steps back, her smile so wide it’s almost manic. “Oh, Tinkydrew, you’re perfect,” she says, her voice trembling with excitement. “Come, let’s see you in the mirror.” Before I can protest, she lifts me—her strength still startling—and carries me to a full-length mirror in the corner of the room, setting me down gently in front of it. The wings sway behind me, the petticoat rustles, and I brace myself for what I’ll see.
The reflection is a shock, even though I knew it was coming. I look like a five-year-old girl dressed for a fairy-tale tea party, not an twelve-year-old boy. My bouffant curls, still glossy from the mousse and hairspray, frame my face in a halo of feminine bounce, the silver tiara glinting like a crown. The makeup transforms me—my cheeks are rosy, my eyes wide and sparkly with lavender shadow, my lips glossy and pink, making my face look even younger, softer, unmistakably girlish. The dress is a cloud of tulle and sequins, the puffed sleeves and massive bow exaggerating my slight frame, making me look delicate, almost ethereal. The wings shimmer behind me, their iridescent glow catching the light, and the Mary Janes sparkle at my feet, the rhinestone buckles winking with every shift. The choker’s “Tinkydrew” pendant sits at my throat, a mirror to the chastity belt’s engraving, and the wand in my hand completes the picture—a perfect, prissy fairy princess, too young, too feminine, too everything I’m not.
I stare at myself, my heart pounding, and all I can think is what this means. The chastity belt, hidden under the dress, feels heavier now, its engravings burning in my mind. “Tinkydrew,” carved where my manhood should be, feels like a declaration, a final overwrite of Andrew mocking my small frame, my lack of strength, my inability to resist her. “Princess in Training” suggests this is just the beginning, that she has plans for me, plans I can’t see. I can’t look away from the mirror, from the little girl staring back at me.
Margaret’s hands rest on my shoulders, her reflection looming behind mine. “Isn’t it wonderful, Tinkydrew?” she says, her voice soft but intense. “You’re my little fairy princess, just like I always dreamed.” Her fingers brush the wings, making them shimmer, and I feel the weight of her dream pressing down on me, reshaping me into someone I don’t recognize.
I open my mouth to protest, to say I’m Andrew, not Tinkydrew, not this, but the words won’t come yet. I'm still too overwhelmed. The outfit, the makeup, the chastity belt—they’re all too much, and I’m too small, too lost, to fight it. For now, I’m her Tinkydrew, caught in her fairy-tale castle.